Can we have some certainty? So begins the last of an unknown Alex de la Iglesia . Yes, we can be confident that you can do better, Alex, much better. And so it seems, even if you regain some of the bad blood (black, not white) that distilled your past achievements (except the insufferable 800 bullets and daughter indecent laughter Dead). Not good for you to make the cold or Eastwood Allen intellectual to , or po r least that's what this experiment demonstrates (I hope!), a simulation of mechano boring philosophical Cluedo dyes, spiced with the salvific presence of Leonor , if does not reach the temperature jump on her apron, had died of sudden freezing.
Please, Alex, what more bad script! One ends up caring a damn if there is one more death and how this unfortunate incident occur. And in The Oxford Murders forces the viewer to navigate the narrative gear with the weak light of a chaotic logic and forced to reveal itself just as it is, pure smoke. Not that The Oxford Murders want to make metaphysical thesis of chance also, "if not that she becomes in that uncertainty through the constant exercise of fidelity to that inconsistency.
A pity, because the actors, except for a Elijah Wood may not yet cleared his mask of hobbit - do their job with ease ( Julie Cox excels in a role that Hitchcock applaud), and the camera fits correctly. But this evocative sound track of Roque Baños (heir to the best Hermann ) does not deserve such nonsense script, no. Perhaps the fidelity to the text of Guillermo Martínez ( Premio Planeta Argentina 2003 in this novel) is the essential reason for this debacle. What paper insurance be an intelligent exercise of the police better bathed in the seductive falsehoods labyrinthine logical fallacies, to pass it on to celluloid the result is blurred in a quagmire of pretentious dialogue that rather than look to the armchair thrill us without sting.
Alex slips when carried away by the excesses that populate his imaginary film buff, whether walking the underworld does freak, or you decide-is this the case, to emulate the typical puzzle black cinema of the seventies angrosajón ( footprint) . So community remains his best creation, because without betraying its character, gave us a containment denoting maturity without losing their transferable.
I guess it is to have patience and wait for her next.
We'll always have the Watling ...
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